摘要
文章通过分析"诗""辞""赋"三种文体的来源和发展,厘清了赋体批评中"诗人之赋"与"辞人之赋"的关系和审美原则。"诗""辞""赋"既是文体,也是艺术手法,相互影响并构成独特的汉代文学批评观。而后三种文体渐行渐远,辞体被诗体和赋体吸收,不再有独立的文体创作。
The author elaborates aesthetic principles and the relationship between poet＇s fu and ci-writers based on the analysis of the origin and development of poem,ci and prose-poem which are not only literature styles but artistic technique that influence each other to form a unique criticism of literature of Han Dynasty. But afterward,ci has become an independent literary style which is absorbed by poem and prose-poem.
出处
《湖北职业技术学院学报》
2016年第3期49-53,共5页
Journal of Hubei Polytechnic Institute
关键词
诗赋
辞赋
赋体
poems
ci-fu
prose-poem
