吴歌西曲的传播与南朝诗风嬗变

The Communication of “Wuge Xiqu” and the Mutation of Poetic Styles in Nan Dynasty

南朝对吴歌西曲的接受大致存在两个阶段,宋齐时期以接受原生态吴歌西曲为主,对其音乐风格改变不大;梁代以后以加工改造吴歌西曲及创作吴歌西曲歌辞为主。吴歌西曲的传播方式与南朝诗风嬗变关系密切,以梁武帝为代表的帝王和文人对吴歌西曲音乐的改造及大量创作吴歌西曲歌辞,使吴歌西曲取代了清商三调地位,在宫廷和上层社会广泛传播,从而导引了南朝女情与闺怨题材的创作,风格轻艳柔媚,并直接带动了宫体诗的发展。

This text mainly discusses the relations between the communication of ＂Wuge Xiqu＂ in Nan Dynasty and the mutation of poetic styles.＇ It considers that there are two stages during Nan Dynasty＇s acceptance of ＂Wuge Xiqu＂, one is the acceptance of original ecology＇s ＂Wuge Xiqu＂ in Song Dynasty, which has few changes on music style; the other stage is to remould ＂Wuge Xiqu＂ after Liang Dynasty, which puts focus on the lyrics of ＂Wuge Xiqu＂. Monarch and scholars represented by emperor Liangwu reformed the music and created a great deal of lyrics of ＂Wuge Xiqu＂, not only let ＂Wuge Xiqu＂ replace the status of Qingshang Three-tone as well as had a wide spread throughout the royal court and upper class, but also played a guiding role on creating poems at that time. Poetry creation ,which has gently and lovely style, highlighted ladies love and boudoir repinings and leaded to the progress of palace-style poetry directly.