大伴旅人《赞酒歌》的文化解读——兼与李白酒诗的比较

Cultural Interpretation of Otomonotabito's Praise Wine Song——Comparison with Li Bai's Wine Poems

通过解读日本奈良时期著名和歌人大伴旅人的代表作《赞酒歌》十三首的构造、诗语、主题思想,认为《赞酒歌》并非单纯停留在对汉文典籍个别词句的借用,组歌的主题不仅反映了大伴旅人对《世说新语》任诞篇中"竹林七贤"的推崇和向往,还折射出佛教无常观、儒教道德伦理、老庄道家思想等思维浓厚的中国传统文化思想。通过将《赞酒歌》与李白的酒诗进行对比,发现二者之间既有思想文化上的同源性,又有情感抒发上的相异性,产生这一差异的原因正在于二者社会身份地位和时代背景的不同。

Otomonotabito was famous waka representative at Nara period.Based on the interpretation of his Praise Wine Song in configuration ,poetic language, theme, this paper thinks Praise Wine Song is not simply involved with the words quoted from Chinese classics.Songs related not only reflect the yearning and longing towards ＂Bamboo Forest＂, but also represent the Chinese traditional culture in Buddhist, Confucian ethics,Taoist thoughts and so on.Comparing the Praise Wine Song and Li Bai＇s wine poems, it is found that they have ideological and cultural homology,and also have dissimilarity on the emotional expression. The reason for this difference is the social status and background.