摘要
《蜻蛉日记》作为日本女性日记文学的嚆矢,采用了同故事叙述的一人称叙述视角,历史现实中存在的真实作者及其写作叙述行为,以及展示在文中经历事件的"我"的行为,是同一个主体在不同次元上的表现。《蜻蛉日记》虽然是回顾性叙事,但主要以经历故事时的经验自我的有限视角进行"即时"叙事,并融入大量内心独白与细腻的心理描写,表现出生动的临场感与真实感。同时又在不经意间偶尔穿插故事讲述时叙述自我对事件以及"经验自我"的解释或者评论,经验自我与叙述自我双重聚焦,或分离或重合,使第一人称叙述者—人物"我"的形象逐渐丰满。
As the forerunner of the Japanese female diary literature,The Gossamer Years adopts the first person narrative perspective with the same story. The real author in the historical context as well as his writing and narration way, and "my'activities reflected in the novel are the same narrative subject in different levels.Although The Gossamer Years uses the first person retrospecting narration style, it mainly adopts the "instant narrative" style based on the limited narrative perspective when the narrative subject experiences the story. And by integrating plenty of interior monologue and exquisite psychological description, the novel reveals vivid presence and reality. Meanwhile, there are interpretation or remark given by the narrator and the "experienced self" occasionally when narrating the story, thus, the narrator and the "experienced self" forms double focus.From separation to overlap, it makes the first person narrator, the image of "I", well-rounded.
出处
《日本问题研究》
CSSCI
2016年第5期72-80,共9页
Japanese Research
基金
烟台大学青年基金项目(wy14Z01)
关键词
蜻蛉日记
一人称叙述
经验自我
叙述自我
The Gossamer Years
first-person narration
experienced self
narrating self