摘要
本文以法国艺术家乔治·鲁斯有关空间的作品进行个案分析,重点探讨了摄影与绘画在其作品中所体现的独特形式,亦是国内首次系统性的论述鲁斯创作的文章。结合鲁斯作品中表现的现实空间与虚拟空间,变形绘画与摄影等层面上所体现出的艺术特点进行了论述,力图呈现出以上鲁斯创作因素形成的根源和影响。从而在鲁斯的创作中,我们可以体验到摄影与绘画在当代艺术的语言体系里,艺术家对于两种媒介的恰当把握与表现。
This article analyzes French artist Georges Rousse's works about space as an individual case, mainly discussing the unique form that photography and painting demonstrate in his works, which is the first demostic article that systematically expounds Rousse's creation. Combined with the real space and virtual space that Rousse's works manifest, the artistic characteristic that deformed painting and photography reveal is elaborated, striving to demonstrate the root and influence of the elements of formation for Rousse's creation. Therefore, from Rousse's creation, the audience can find the artist's appropriate control and demonstration of the two media in the contemporary artistic language system of photography and painting.
出处
《当代美术家》
2016年第5期26-29,共4页
Contemporary Artists