摘要
受宏大叙事模式的影响,鸳鸯蝴蝶派一直被认为缺乏现代性。管窥鸳鸯蝴蝶派与新文学阵营的集中交锋,可以发现其对现代性的执着追求,且与其话语权的衍变相伴相随。在新文化阵营的大肆攻伐下,鸳鸯蝴蝶派文学话语权主导地位逐渐被新文化阵营取代而趋向边缘,其现代性也随话语权衍变而特点各异。以历时的视角聚焦鸳鸯蝴蝶派现代性追求,追踪其话语权衍变过程中的现代性存在及其特点,以还原其历史原貌,准确定位其历史价值,展现新文化构建过程中的别样景观。
Under the influence of grand narrative mode,the school of mandarin duck and butterfly has always been considered short of modernity and hence been left out of the modern literature. However,an observation of its clashes with the new literature group revealed the persistent pursuit of modernity of the school of mandarin duck and butter-fly along with the evolvement of its says. Criticized by the new culture’ s aggressive campaign,the school of manda-rin duck and butterfly gradually lost its literary say,which fell into the grasp of the new literature group and its mo-dernity characteristics vary accordingly. The study,in the perspective of diachronic,focused on the school’ s pursuit of modernity in Republic of China ( 1919—1949 ) and attempted to shed light on the varying characteristics of its modernity along with the evolvement of its literary say to accurately define its position and value in the historic site and present another landscape in the process of new culture building.
出处
《河南科技学院学报(社会科学版)》
2016年第9期72-77,共6页
Journal of Henan Institute of Science and Technology
基金
2014年河南省哲学社会科学规划项目"民国主要文学期刊译作与新文化建构"(2014CYY005)
关键词
民国
鸳鸯蝴蝶派
现代性
多元共生
The Republic of China
modernity
multiplex symbiosis
the school of mandarin duck and butterfly