摘要
绮情闺怨是花间词的第一主题,其主要原因是花间词多为应歌而作,花间词人往往预先有满足读者期待的创作心理,所以形成了与传统诗人不同的传达闺情的方式,在意象、意旨方面有独特之处,花间词意象充满浓郁的富艳气息,其共性是侧重表现富艳之物的盛或衰,出现时都对应着女性的孤独哀愁,具有“泪滴黄金缕”的意味。花间词多以“泪滴黄金缕”为意旨构词,它使花间词人可以按这个模式排布意象挥就成篇,也使花间词多面目雷同且缺乏真情,这是花间词作为娱乐性艺术和消费艺术所带来的必然。
Love and women's sad were the first subject in Huajianji(《花间集》), because most of ci poems in Huajianji(《花间集》)Y/eK written for singing. The author always wanted to meet the readers' expection, so they used a lot of ways different to traditional poet. The images were always rich used in Huajianji(《花间集》), and always put particular emphasis on the ups and downs of the rich things. 'Tears dripped into beautiful clothing'was always the subject of the ci poetry in Huajianji(《花间集》), it made the ci poems in the Huajianji(《花间集》) were alike and short of lure feeling. This was necessarily for the ci poems in Huajianji(《花间集》) being recreations and consumer goods.
出处
《南阳师范学院学报》
CAS
2002年第3期67-71,共5页
Journal of Nanyang Normal University
关键词
花间词
意旨模式
词
艺术风格
情感
意象
love and womens' sad
express one' s emotion by describing the scenery
rich image
habitual subject