在场的“艺术界”——一种解读中国传统绘画的当代西方视角

The "Art World" at Presencc——A Contemporary Western Perspective for Interpretation of Chinese Traditional Painting

面对20世纪以来、特别是60年代后兴盛的西方当代艺术,阿瑟·丹托提出了一种用"艺术界"来阐释艺术的艺术批评新思路。基于丹托对清代万上遴《龙门僧图》的解读,本文尝试以"艺术界"理论去解读中国艺术史中文人画的哲学形态和历史形态,得出了这样的结论:中国传统艺术作品的历史流转,恰恰是一个以艺术家的审美人格为核心的"艺术界"的流转历史。

Facing the prosperity of contemporary western art since the 20 th century,especially after the 1960 s,Arthur Danto presented a new idea of art criticism to interpret art with 'art world'.Based on Danto's interpretation of Longmen Buddhist Figure by Wan Shanglin in the Qing Dynasty,this paper attempts to interpret the philosophic form and historical form of literati painting in Chinese art history through the 'art world' theory,and draw the conclusion as:the historical circulation of Chinese traditional art works was precisely the circulation history of the 'art world',which took the aesthetic personality of the artist as the core.