哈莱姆文艺复兴中的艺术——一个以“国家意识”与“种族意识”为线索的研究性综述

Fine Arts among Harlem Renaissance:An Academic Review Focused on the InterRelationship between Americanism and Racial Consciousness

"哈莱姆文艺复兴"是美国二十世纪二三十年代的一次黑人文化运动,根源于美国黑人在现代社会的生活。它反映了黑人知识分子为了唤起种族自觉所作的一系列文化建设,而不仅仅是一种"中产阶级"趣味。通过哈蒙展,黑人的艺术创作第一次成了全国性的话题,引起了业内业外的普遍关注。但是围绕"国家意识"与"种族意识"的关系,黑人知识分子内部、黑人知识分子与白人赞助者之间均有着不小的意见分歧。这种分歧最终影响了对艺术作品中不同的艺术主张和风格的讨论始终在种族族意识和国家意识的角度展开,而很少涉及艺术本身。最终,尽管哈莱姆文艺复兴中的艺术包含现代艺术探索,也几乎与军械库展览和垃圾箱画派同时,但却没有进入美国现代艺术进程的叙事体系。

Fine art among Harlem Renaissance stemmed from the modern life of Afro-American at 20 th century.It reflects the cultural construction by Afro-American intellectualD which not only mirrors bourgeois,but targets to racial consciousness.Diverse aesthetics and styles were embraced in this movement.They did not been analyzed well because the dispute between the organizer and their Afro-American adviser,even among AfroAmerican intellectuals.Additionally,For the sake of full penetrated racial and national perspective,even at the almost same time of Armory Show and Ash Can School,it did not become the part of American modernism art movement at that time.