摘要
中国家族文学母题具有丰富蕴藉的叙事功能。20世纪40—80年代,新中国曾经全力推行过土地改革及其互助组、合作社和人民公社制度。丁玲的《太阳照在桑干河上》、赵树理《三里湾》和柳青的《创业史》等作家作品,真实再现了农民"翻身解放"的心理过程,成为合作社——宗族关系文学母题的一种原型模式。张炜的《古船》和朱晓平的《桑树坪纪事》等小说本着审美批判的视角,透视生产队员的日常生活方式,揭示出生产队体制与传统宗法制家族的不变关系,暗喻传承数千年的宗法文化心理对人民公社的走向所形成的阻遏和巨大影响,显示出这种叙事母题丰厚的功能价值。
Chinese clan literature has a profound narrative function.During the periods from1940 sto 1980s,the New China implemented the Land Reform and policies of agriculture mutual-aid team,co-operatives and people's commune.Novels like Ding Ling's The Sun Shines over the Sang gang River,Zhao Shuli's Three Mile Bay and Liu Qing's Builders of A New Life faithfully represent peasants' mental process of being emancipated and put forward an archetypal mode of production team-village clan relations.Novels like Zhang Wei's Ancient Boat and Zhu Xiaoping's Chronicle of Mulberry Plain adopt a perspective of aesthetic critique,examine the everyday life style of production team members,reveal similarities between production team system and traditional patriarchal family system,and expose the obstruction brought about by thousands of years' traditional patriarchal psychology to the formation of people's commune.These novels show the substantial value of this narrative motif.
出处
《宝鸡文理学院学报(社会科学版)》
2016年第5期75-79,共5页
Journal of Baoji University of Arts and Sciences:Social Science Edition
基金
陕西社科基金项目:中国家族文学母题模式研究(项目编号:2014I03)