摘要
近60年来,高等院校的中国少数民族音乐课程形成了以"技能中心课程范式"和"学问中心课程范式"为代表的两种现代性课程范式,并表现出三种较为明显的现代性特征:一是课程目标和知识选择层面的民族性特征,二是彰显人才培养特色的专业性特征,三是受制于主流知识话语的依附性特征。这三种特征是高校少数民族音乐课程的根本性特征。
In recent 60 years,there are two representative curriculum paradigms of Chinese ethnic music in universities: the skill-ability-centered curriculum paradigm and the knowledge-learning-centered curriculum paradigm with three distinguished modern features: 1) ethnic characteristics in curriculum objective and knowledge selection; 2) specialty characteristics in talent cultivation; and 3) dependency characteristics subject to the mainstream discourse of Western musicology.
作者
尚建科
SHANG Jian-ke(School of Music, Shanxi Normal University, Xian, Shanxi 710119)
出处
《民族教育研究》
CSSCI
北大核心
2016年第5期38-41,共4页
Journal of Research on Education for Ethnic Minorities
基金
陕西师范大学中央高校基本科研业务费专项资金项目(项目编号:1301030283)研究成果之一
关键词
少数民族音乐课程
民族性
专业性
依附性
Chinese ethnic music curriculum
ethnicity
specialty
dependency