莫言《蛙》和马尔克斯《百年孤独》的互文性研究

On the Intertextuality of Frogs of Mo Yan and One Hundred Years of Solitude of Garcia Marquez

加西亚·马尔克斯是魔幻现实主义大师,他的代表作《百年孤独》是魔幻现实主义的杰作,他为世界文学和20世纪后期中国文学觉醒做出了独特贡献,并产生了深远影响。莫言深受马尔克斯的影响,《蛙》是他历经四载潜心而作的一部长篇小说,将人性在具体的社会历史大背景下的转变深刻地挖掘出来。两位作家的作品虽然存在诸多不同,但有不少相似之处。两部作品的互文性主要从以下方面进行阐述:魔幻现实主义手法的运用、以地域性特征为基础的写作手法、以个人-民族式表现生活的层次手法、生殖崇拜、尊重女性、悲剧色彩和"时代-文化转型"。

Garcia Marquez is a master of magic-realist literature.His representative work One Hundred Years of Solitude is a masterpiece of magic-realism,making a unique contribution to the world literature,and producing an awakening influence on Chinese literature of the late twentieth century.The Chinese writer Mo Yan has deeply been influenced by Garcia Marquez.Frogs is a novel which he took four years to finish,probing into humanity in a huge transitional period in Chinese specific social and historical background.Different as they are to a large extent,they still share some similarities.This article mainly analyzes the intertextuality of the two works from the seven aspects：the use of magic-realism,the writing technique with the base of regional characteristics,the way showing lifestyles by a personal-national performance approach,the worship of reproduction,the respect for women,the characteristic of tragedy and the confusion brought by transformation of era-culture.