当代都市人文精神的艺术表现——陈彦剧作“都市三部曲”价值取向

Artistic Expression of Humanistic Spirit in Contemporary Metropolis—CHEN Yan's Value Orientation in his Drama of Trilogy of Metropolis

陈彦是当代剧作家中始终关注都市平民生活状态的农裔城籍作家之一,是以民间视觉世俗的情怀关注和表现当代都市普通人命运的剧作家。他以浓郁的乡里人意识关注弱势群体,以都市平民阶层个体的家长里短为表现对象,形象地展示社会进步与时代发展过程中不可或缺的人的发展和人格的健全,进而折射出时代的进步。这是陈彦的作品能够在戏曲现代戏普遍衰落的状态下而拥有最广大的城乡观众认可、获得大学生阶层普遍拥戴的重要因素。陈彦作品中对当代都市人文精神建构所表现的民本情怀,对于当前戏曲现代戏的创作,对于戏曲艺术本体大众文化品格的再认知,无疑具有重要意义。

As a contemporary playwright,CHEN Yan focuses on urban civilian life from the perspective of secular feelings. He esp. keeps a watchful eye on the disadvantaged groups from the view of village people. The vivid description of human development and perfect personality in CHEN Yan＇s works attracts both vast number of urban and rural audiences and college students. People-oriented feelings for contemporary urban humanism in CHEN Yan＇s works are undoubtedly of profound significance to modern opera composition.