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节庆文化及其传承逻辑--基于贵州清水江苗族独木龙舟节的分析 被引量:10

THE CULTURE OF FESTIVAL AND ITS LOGIC OF INHERITANCE:BASED ON THE INVESTIGATION OF THE WHOLE-WOOD DRAGON BOAT FESTIVAL OF THE MIAO PEOPLE IN THE AREA OF UPSTREAM QINGSHUIJIANG RIVER OF GUIZHOU PROVINCE
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摘要 民众日常生产生活实践是民间文化的源头活水,任何民俗文化事象与当地民众的社会文化有内在的逻辑关联。本文具体呈现了贵州清水江上游苗族独木龙舟节的丰富内容,分析了独木龙舟节的性质和功能,揭示了独木龙舟节与苗族社会文化的逻辑联系,指出独木龙舟节对于理解文化整合性、文化活力内源性和文化形式变化性的启示意义。 Folkways culture comes from the practice of people in their production and livelihood, and has inner logic of its own. Here the author describes in detail a famous festival of the Miao people, the whole-wood Dragon Boat festival in the upstream area of Qingshuijiang River of Guizhou Province. It analyses the characters and functions of this festival and brings to light the relations between the festival and the social and cultural factors of the Miao people in the area, and points out that the folkways culture is of inspirations to the understanding of cultural integration, internality of cultural vitality and changes of cultural forms.
作者 贾仲益
出处 《广西民族研究》 CSSCI 北大核心 2016年第5期93-105,共13页 GUANGXI ETHNIC STUDIES
基金 中央民族大学学术团队建设和自主科研项目“清水江多民族社会研究”(2015MDTD03C)
关键词 苗族 贵州清水江上游 独木龙舟节 文化逻辑 the Miao people upstream of Qingshuijiang River of Guizhou Province the wholewood dragon boat festival inner logic of folkways culture
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参考文献2

  • 1王嗣鸿.台江边胞生活概述.边铎月刊,1948,:19-19.
  • 2张永祥.苗、瑶、畲、高山、佤、布朗、德昂族文化志[M].上海:上海人民出版社,1998:73.

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