在生命的限制中对自由的张望——穆旦诗歌《春》导读及相关问题

Looking for Freedom in A Fettered Life: An Introduction to the Poem Spring and the related problems of Mudan' s Poetry

穆旦是一位晚出而重要的现代诗人。穆旦的晚出有两个值得注意的时间节点:一是在中国现代新诗的代际序列中,出场较晚;二是产生实质性的影响较晚;穆旦的写作具有独断的性质,诗歌展开的前景更符合新诗发展的艺术逻辑。但穆旦对后来者的创作缺乏深刻的介入性影响,"诗歌艺术精神"似乎具有某种孤立的性质,在后来者的写作中,很难找到比较清晰的对应和传承线索。《春》,或许可以从一个视角带动对穆旦诗歌相关问题的探讨。

Mudan is an important poet yet a late bloomer among the modem poets of China. There are two things that are note-worthy in the late spring of Mudan ： one is that he emerged rather late in generations of poets of modem Chinese new poetry; the other one is that he exerted substantive influences even later. Living up to the artistic logic of the development of new poetry, his poetry is of great independence and uniqueness. However, he lacks profound and interventional effect on the writing of late - comers, for his ＂spirit of poetry art＂ is of certain kind of isolation and hard to find clear correspondence and inheritance in the creations of poets afterwards. Therefore, the interpretation of the poem Spring might provide a new perspective for the related problems of Mudan ＇ s poetry.