“施公戏”与“盖派戏”比较

A Comparative Study on “the Drama about Lord Shi” and “the Drama of Gai School”

盖叫天先生演过一些"施公戏",在这类戏中常有创造性的发挥,如《洗浮山》中的"趟马"、《恶虎村》中的"走边"、《鄚州庙》中的情节创排等。这些创新涉及形体、台词、剧情、人物等诸多方面,且皆从戏情戏理出发,构成"老戏新演"的典范,也使这类戏成了名副其实的"盖派戏"。从两者比较中,或可更全面地理解"盖派"形成的路径与"盖派艺术"的特色,也能从中汲取寓"创"于"传"的表演经验。

Observing some of 'the drama about Lord Shi'in which Mr. Gai Jiaotian performed,we can find lots of his creative performances,such as 'Tangma ' in Attacking Robbers in Fushan,'Zoubian'in Ehu Village and the plot arrangement of Muzhou Temple etc. All these creations involved body,lines,plot and characters. They all began with the emotion and principle of drama.They were not only the best examples of 'new performance of old drama'but also make all these'drama about Lord Shi'be genuine 'drama of Gai School'. Through the comparison between the two,we can get a more comprehensive knowledge of the characteristic of 'Gai School Art'and theformation path of 'Gai School'. It is also beneficial for us to extract experience of 'creation for inheritance'.