摘要
纹样是邵阳蓝印花布的核心艺术形态,主要分为动物纹、植物纹、人物纹3类。邵阳蓝印花布色泽古朴浓艳而不妩媚,宁静深沉而不失自信,艺术上讲求色彩的生命美、构图的韵律美、纹样的修辞美,是民间实用艺术的典范。随着传统蓝印花布艺术的消失,通过书签系列、游戏系列、月历系列以及饰品系列作品的再设计让蓝印花布中的艺术元素与现代消费产品创意结合,形成融合时尚与怀旧于一体的文化创意产品,是传统艺术获得新生的路径。
Fabric print is the most important element in the art of traditional Shaoyang flower-printed blue cloth. Prints on the cloth fall into three categories: animal prints,plant prints,and human figure prints. The color of Shaoyang flower-printed blue cloth is beautiful and of primitive simplicity,giving an air of deep tranquility and confidence. As the color shows a beauty of life,the design a beauty of rhythm,and the prints a beauty of symbolism,Shaoyang flower-printed blue cloth has become a great example of China's practical folk arts. The modern age has seen the decline of such art,but a creative combination of the artistic elements in the cloth and modern consumption products,e. g. the redesign of bookmarks,games,calendars,and accessories,leads to a possible rebirth of it.
出处
《湖南人文科技学院学报》
2016年第4期26-31,共6页
Journal of Hunan University of Humanities,Science and Technology
基金
湖南省高校创新平台开放基金项目"梅山民俗艺术资源的保护与开发应用"(14K054)
关键词
邵阳蓝印花布
艺术
再设计
Shaoyang flower-printed blue cloth
art
redesign