从两座唐墓仕女壁画看“宫怨”意象的诗画交汇

The Relevance between the “Palace Repining” Imagery in Painting and That in Poetry: A Case Study of the Noble Woman Murals of Two Tang Dynasty Tombs

唐代乾陵的懿德太子墓与章怀太子墓中的一些仕女壁画善于表现女性精神世界和淡淡的幽怨情感,这些壁画既受到现实世界中仕女绘画创作趣味的影响,又与宫怨诗的意象表现遥相呼应。这些仕女壁画的"宫怨"意象表现与宫怨诗的意象表现手法十分类似,画与诗的意象表现存在一定关联。但是,这两座唐墓壁画的创作意图与宫怨诗不同,其"宫怨"意象与死者懿德太子李重润、章怀太子李贤的身世息息相关。这些绘制在墓室之中的仕女壁画,以陪伴和庇护死者为其主要目的,它既吸收了现实世界中以鉴赏为目的的仕女画与宫怨诗的意象表达手法,又有其独特的味外之旨。

The noble woman murals contained in Prince Yi De＇s tomb and Prince Zhang Huai＇s tomb of Qian Mausoleum in Tang dynasty well expressed female spiritual world and sad emotions. These murals were influ- enced by the actual noble woman painting, and also corresponded with the imagery expressed in poetry with the theme of palace repining. The techniques of expressing ＂palace repining＂ imagery of these noble woman murals were very similar to that of palace repining poetry, and there was a certain correlation between them. However, the creation intention of the two Tomb＇s murals was different from the palace repining poetry. The murals＇ ＂palace repining＂ imagery was closely related to the personal life of Prince Yi De （ i. e. Li Chon- grun） and Prince Zhang Huai （i. e. Li Xian）. The main purpose of the noble woman murals in the two tombs was to accompany and guard the deceased. They absorbed the elements from the actual noble woman paintings and palace repining poetry for enjoyment, but had their unique connotations.