摘要
何家村窖藏的发掘已经有四十多年,其归属问题始终是学术界争论的焦点之一,如果全部是日常生活用品,怎么会有如此多的整齐划一地使用了莲花纹饰的器物?又怎么会在同时期其他场合找到与之如此相近的舍利容器?本文试图通过与佛教造像上佛座的莲花纹饰、法门寺供养器上莲花纹饰以及法门寺特色舍利容器的比较,认为何家村金银器属于皇家专用,且属于皇家的佛教供养器物。
Hejiacun Hoard has been excavated for over 40 years, but its property is still one of the foci of the arguments of the academic field: if they were all utensils for daily use, why so many vessels bore uniform lotus flower designs? Why the sarira reliquaries found in other occasions of the same period have so similar forms with the vessels in the Hejiacun Hoard? Through the comparison of the lotus flower designs on these utensils with that on the pedestals of the Buddhist statues, the offering utensils and the special sarira reliquaries unearthed at Famen Temple, this paper pointed out that the utensils unearthed from Hejiacun Hoard belonged to the imperial family of the Tang Dynasty, and they were made as the offering wares of the imperial family to Buddha.
出处
《文博》
2016年第5期41-46,共6页
关键词
何家村
金银器
莲花纹饰
法门寺
供养器
Hejiacun Hoard
Gold and Silver Wares
Lotus Flower Design
Famen Temple
OfferingWares