摘要
在中国音乐史和音乐创作上,民歌具有非常重要的作用,它体现了人们的民俗、生产、心理等,反映了人们千姿百态的生活,是我们研究音乐创作的活化石。陕、甘、宁回族民歌是劳动人民集体智慧的结晶,是广大回族人民在日常生活中即兴编创的一种民歌,充分地反映了陕、甘、宁劳动人民的生产、生活和文化,是回族人的生活写照,折射出回回人世世代代的心声。本文在民族音乐视角下,从民歌内容、音乐本体两个方面,对陕、甘、宁回族民歌进行了研究。
In the history of Chinese music and the creation of music, folk songs have a very important role. They reflect people's folk customs, production, psychology and so on. They reflect people's life in different poses and with different ways.They are the living fossils of music. The Folk Songs of Shan, Gan and Ning Hui Nationality are the crystallization of collective wisdom of the working people and a kind of folk song made by people of the Hui nationality in their daily life.They are the basis of music culture, fully reflecting the labor of Shaanxi, Gansu and Ningxia. People's production, life,culture, is a reflection of the lives of Hui people, reflects the return of the hearts of people for generations. From the perspective of folk music, this paper studies folk songs of Shan, Gan and Ning Hui from folk music content and music ontology.
出处
《贵州民族研究》
CSSCI
北大核心
2016年第10期119-122,共4页
Guizhou Ethnic Studies
基金
2013年陕西省教育科学规划课题"艺术院校音乐专业‘声乐艺术指导方向’人才培养综合改革与实践研究"(项目编号:SGH13067)