民族岩画传承传播的动态模式研究——以壮族花山岩画为例

Study on the Dynamic Model of the National Transmission of the Rock:Taking Zhuangrock Huashan as an Example

静态表达是岩画价值展现的常规模式,而从岩画本身的内容以及现代人的认知需求来看,单一的、静态的价值表达显然是不够的,因此动态化表达岩画是岩画价值表达的必然选择。民族地区的岩画是民族先民遗留下来的文化遗产,民族地区岩画价值的动态表达自然不能脱离民族文化这个范畴,岩画动态表达中的人物、思想、情节、场景都需要基于民族文化来阐发,由此岩画价值的展示才能真实表征其民族归属。

Static expressionisthe conventional m ode ofrock artvalueshow, from therockitself contentand modern people＇scognitivedemand, the value ofa singlestaticexpression, is clearly not enough, so the dynamicexpression ofrock paintingis the inevitable choice forthe expression ofrock artvalue.Ethnicarea rock artis the legacy ofancestorsof the cultural heritage ofthe rock paintings, dynamicvalue of minority regionsexpressednaturally can not be separated fromthecategoryof national culture, the expression of rockdynamiccharacters in theplot, scene, thought, based on the need ofnational cultureanalysis,therock paintingsshowrealvaluetothe representation of theethnic ascription.