摘要
艺术产生之后,只有经过人们的欣赏、阐释、评价,艺术潜在的审美价值才有可能被一步步发掘和揭示出来。因此,艺术的审美价值并不是自证自明的。认识论阐释学和本体论阐释学,作为对艺术审美价值和意义进行揭示和解读的两种不同的方法,在阐释艺术的审美价值的时候都可以运用。这两种方法各有不足,在阐释过程中可以适当地把两者结合起来,使得它们相互补充,以期达到尽可能好的阐释效果。其实认识论阐释学和本体论阐释学无论自身如何发展,它们都有一个终极目标那就是如何使阐释学本身更好地成为一种方法而存在。艺术的审美价值的呈现是一个历史的、持续的、动态的过程。阐释的循环使得艺术的审美价值在这个过程中只有起点,没有终点,而且越来越丰富,越来越完善。
After generation of art,when people enjoy,interpret,evaluate them,its aesthetic value is likely to be revealed step by step.Therefore,the aesthetic value of art is not from self-evident,it must rely on the people' s understanding and interpretation,in order to demonstrate the potential aesthetic value to people.When people explain the aesthetic value of art,whether it is epistemological or ontological hermeneutics hermeneutics for art it is the method can be used to reveal its aesthetic value and significance,but they have their own shortcomings,so they can only complement each other.In fact,regardless of how to develop of the epistemological and ontological hermeneutics Hermeneutics theory i,they have only one ultimate goal that is to learn how to become a better method of interpretation to exist.Exhibition of aesthetic value of art is ongoing,dynamic process of history.Interpretation of the cycle makes the aesthetic value of art in the process only have a starting point but not the end and become more and more rich,more and more perfect.
出处
《学术界》
CSSCI
北大核心
2016年第10期144-154,共11页
Academics
基金
2016年教育部哲学社会科学研究重大课题攻关项目"中华艺术精神在当代艺术实践中的传承发展研究"子课题研究前期阶段性成果
关键词
阐释学
阐释客体
前结构
阐释循环
视域融合
Hermeneutics
interpretation of the object
the former structure
interpretation cycle