摘要
This volume, the third publication sponsored by the Ham Museum of Art and the University of Florida, contains a number of interesting discussions, investigations, and insights on the subject of collecting Chinese art in 1950s North America and Europe.
This volume, the third publication sponsored by the Ham Museum of Art and the University of Florida, contains a number of interesting discussions, investigations, and insights on the subject of collecting Chinese art in 1950s North America and Europe.
