上海沦陷时期的商业出版机制与文学生产

Shanghai Commercial Publishing Mechanism of the Occupation and Literary Production

上海沦陷时期,日本侵略军和汪伪政权控制新闻出版,操纵舆论导向,制定了严格的文化统治政策,致使上海出版业的发展异常艰难。面对扭曲而狭窄的生存空间,粉饰太平、大众需求的通俗文学创作引领了新的文学创作方向,促进了现代文学向前发展。这一时期的文学期刊合理地利用上海商业文化生产机制,依托广阔的市民阅读基础,乘机巩固并扩大了通俗文学阵营,并由此催生了上海沦陷区文学期刊运营模式的通俗化与商业化。同时,张爱玲、苏青、关露等通俗文学作家也积极迎合上海特殊背景下的商业出版机制,与通俗文学期刊相辅相成,在互动中谋求双赢,最终促成了出版机构与文学生产之间的良性合作。

Shanghai the occupation, the Japanese invaders and wang regime control of press and publication, and manipulate public opinion direction, made the culture of strict rule policy, Shanghai publishing development difficult. In the face of the dis- tortion and narrow living space, whitewash, public demand led the popular literature of the new direction of literary creation, promote the developing of modern literature. This period of literary journals and reasonable use of the Shanghai s commercial cultural production mechanism, relying on the broad citizens reading foundation, to consolidate and expand the popular litera- ture camp, and thus gave rise to the occupied areas in Shanghai literature periodical operation mode of popularization and cpm- mercialization. At the same time, the popular literature writer zhang ailing, qing su, GuanLou also positively to cater to Shang- hai commercial publishing mechanism, under a special background and popular literary journal supplement each other, and seek a win- win situation in the interaction, finally led to positive cooperation between publishers and literary production.