浅析重庆巴南昆词音乐中的“地方化”流变

A Preliminary Analysis on the Localizing Rheology of Kun-ci Music in Ba'nan District of Chongqing

重庆巴南昆词音乐的发展与流变是非常典型的大艺术剧种"地方化"的实际案例。在巴南昆词音乐中,"地方化"的流变主要体现了三方面的特点:一是"词"的保留,二是"曲"的变异,三是"韵"的丧失。本文分别从昆词音乐的源流、发展脉络、表演特点等几个方面入手,结合对重庆巴南昆词"地方化"特征的挖掘以及与江苏昆曲的比较性研究,深入分析了其流变成因,并进一步探讨受不同人文语境影响下的艺术形式在流变过程中所折射出的文化意义。

The development and rheology of Kun-ci music in Ba＇nan district of Chongqing can be a typically classic documentation of the localization of a large artistic form. There are three characteristics of the localizing rheology of Kun-ci music in Ba ＇nan： the preservation of Ci, the variation of Qu and the loss of Yun. This article attempts to find out its rheological causes through the exploration of the localizing characteristics of Kun-ci music in Banan and the comparative study of Kunqu in Jiangsu from the aspects of its origin, courses of development and characteristics of performance, and then further investigate the cultural significance reflected during the process of the artistic rheology.