摘要
整体来看,《桃花人面》与其改本《桃源三访》并没有明显的高下优劣之分。客观地说,《桃源三访》对《桃花人面》在情节内容、剧作风格及体制等方面的改动既有锦上添花之美,亦有白璧微瑕之憾。从《桃花人面》到其改本《桃源三访》,既彰显出孟称舜杂剧创作的趋元倾向,又体现出其对元杂剧创作体制的突破。
Taken together, there are no obvious advantages and disadvantages of Peach-blossom Face and it's edition Visit to the Land of peach blossoms. Objectively speaking, the changes in the plot, drama style and system of Visit to the Land of peach blossoms to Peach-blossom Face is the icing on the cake beauty, also has a slight blemish of regret. From Peach-blossom Face to the change of Visit to the Land of peach blossoms, both highlight the trend of Yuan zaju creation tendency of Meng Chengshun, it also shows his breakthrough of Yuan zaju creation system.
作者
金艳霞
JIN Yanxia(School of Liberal Arts, Lanzhou College of Arts and Sciences, Lanzhou Gansu 730020, Chin)
出处
《重庆文理学院学报(社会科学版)》
2016年第6期31-34,共4页
Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
基金
甘肃省高等学校科研项目"孟称舜及其<古今名剧合选>研究"(项目号:2015A-168)
教育部人文社会科学研究青年基金项目"<古今名剧合选>研究"(项目批号:15XJC751003)的研究成果
关键词
孟称舜
《桃花人面》
《桃源三访》
版本
Meng Chengshun
Peach-blossom Face
Visit to the Land of Peach Blossoms
version