摘要
文化是多元的,不同地域、不同民族的文化是多元的,百家齐放、百家争鸣也就是一种多元文化,文化的魅力就在于其多元性。如今提及动画片,人们首先就会想到迪斯尼,或者皮克斯,或者宫崎骏,或者手冢治虫。但稍作考察,便能发现它们都是美国动画、日本动画和美国、日本的动画制作机构及动画制作人。这些动画为什么能够获得如此广泛的国际认同,从文化层面而言就在于其鲜明的美国特色和日本特色,因为动画从本质上言是一种文化,是一种文化产品。
Culture, differing in different regions and ethnics, is featured with diversity. The diversity of culture reflects in the free expression of arts and the unrestricted contention of schools of thoughts. The charm of culture contains in its diversity nowadays when it comes to cartoons, the first reaction occurs to most people is Disney, Pixar, Hayao Miyazaki, or Osamu Tezuka. Specifically speaking, all the above mentioned are animation, animation studios, and animation producer from the United States or Japan. Animation is essentially a culture as well as a cultural product. Therefore, from the perspective of culture, it is the distinct Americanism or a Japanese characteristic that helps these animations earn so many international recognition.
出处
《设计艺术研究》
2016年第5期37-40,共4页
Design Research
关键词
文化
动画
CG
Culture
animation
CG