摘要
"中国式全家福"这一中国现代艺术以其独特的方式传达着中国的社会现实、群体心理以及审美情感。通过对三位代表性艺术家——王劲松、张晓刚和杨振忠作品的解读,借以探讨"中国式全家福"艺术形式在写实主义、现代主义和后现代主义这三种不同表现风格和手段下所呈现的形态与发展轨迹,同时以此揭示该种艺术形式所根基的社会群体的荒诞心理、悲剧情怀和审美情感。
"Family photo in Chinese style", which is a Chinese contemporary art, conveys the social reality,group psychology and aesthetic sensibility in China in its unique way.Through an understanding of these works created by three typical artists-- Wang Jinsong, Zhang Xiaogang, Yang Zhenzhong, we can explore and discuss its art form and development track in realism, modernism and post modernism,which are three different styles and approaches of expression. Meanwhile, we can also reveal the absurd psychology, tragic mood and aesthetic sensibility of social group which is the base of this art form.
出处
《设计艺术研究》
2016年第5期91-96,101,共7页
Design Research
关键词
艺术形式
中国式全家福
社会
心理
审美
art form
family photo in Chinese style
society
psychology
aesthetics