奥斯曼(Otto)与鲁米(Rumi):外籍“景漂”与景德镇陶瓷人文景观建构的互动关系

Foreign Traveling Artists in Jingdezhen(Jingpiao) and Jingdezhen's Ceramic Cultural Landscape

"奥斯曼"(Otto)与"鲁米"(Rumi)是土耳其籍"景漂"艺术家Ekrem Yazici来到中国后替自己选择的代称。以Ekrem Yazici为对象展开的初步田野调研案例说明,外籍"景漂"的文化自觉以及他们作为行动者对景德镇陶瓷人文艺术景观建构的主动参与,反映了在建构过程中,外籍"景漂"由"他者"到"行动者"身份的转变、认同与重塑,同时也论证了现当代外籍在华艺术家群体作为具有多重身份的"行动者",是现当代中国人文艺术景观建构过程中不应被忽略的重要因素。

'Otto'and'Rumi'were the artistic aliases adopted by Ekrem Yazici,a Turkish national who became one of the growing numbers of foreign jingpiao,or foreign traveling artists who would establish themselves in China's porcelain capital Jingdezhen.Based on the data gathered during the first phase of the author's ethnographic study with Ekrem Yazici at Jingdezhen,this article examines the foreign traveling artists,or the foreign jingpiaos' cultural awareness and their active participation in the construction of Jingdezhen's ceramic cultural landscape.This study presents the foreign jingpiaos' identity transformation processes:from the once'others'seeking acknowledgement and accommodation to the current'actors'contributing to the transformation processes per se.The study also suggests the importance of foreign artists in China as a collective group of'multi-identity actors'that play an essential role in the formulation and construction of contemporary China's artistic and cultural landscape.