《学徒的神仙》:真善美的调和艺术——兼论志贺直哉文学伦理观的建构特色

An Apprentice Deity: Harmonic Art of Truth,Kindness and Beauty:Also on Construction Features of Shiga Naoya's Literary Ethics

志贺直哉(1883—1971)注重理想与现实、正义与邪恶、个体与社会的矛盾冲突,强调正直个体的斗争,关怀弱势群体的生存。他的文学作品思想内涵深刻,浸透着真善美三位调和的文学伦理观。最初发表在1920年1月号《白桦》上的短篇小说《学徒的神仙》体现了志贺直哉文学伦理观范畴内的个人主义之"真"(集中表现为"正直")、人道主义之"善"(集中表现为"同情")以及共生主义之"美"(集中表现为"调和")等创作特色。是故,本文试从真善美的调和艺术的角度对《学徒的神仙》这部作品进行分析论述,以此来浅窥志贺直哉文学伦理观的建构特色。

Shiga Naoya（ 1883-1971） focuses on the contradiction between ideal and reality,justice and evil,individual and society. He highlights the just individual struggle and cares for the survival of the disadvantaged groups. His literary works has profound ideological connotation and shows a harmonic literary ethics that the truth,the kindness and the beauty are reconcilable with each other. An Apprentice Deity,a short story originally published in Shirakaba in January of 1920,reflects Shiga Naoya＇s literary ethics that includes the ＂truth＂of the individualism（ concentrated expressed as ＂integrity＂）,the ＂kindness＂of the humanism（ concentrated expressed as ＂sympathy＂） and the ＂beauty＂ of the symbiosis doctrine（ concentrated expressed as ＂harmony＂）. In this paper,An Apprentice Deity is analyzed in a perspective of the harmonic art of the truth,the kindness and the beauty,by which the construction features of Shiga Naoya＇ s literary ethics is investigated.