清代《西湖十景图》的“圣境”展现与空间政治

The Sacred Show and Space Politics of“Ten Views of the West Lake Paintings”in the Qing Dynasty

清代《西湖十景图》呈现与重塑了江山一统下的西湖景观风物,承载着对西湖十景文化意象的传承与认同,昭显了皇权印迹下的景观政治,与帝王的江山统驭密不可分。《西湖十景图》结合传统文人绘画和舆图标识,借明晰的景观呈现融入帝王品味及政治意涵,成为权力展现的另一有效途径。作为各景观文化地标的御书碑亭被置于画面中心显要位置,通过空间展示突出强化风景所具有的权力表征与圣境意义。西湖十景作为一种重要文化意象不仅是文化的"圣境",更是体现皇权圣意的"圣境",带有鲜明的皇权统治色彩。

“Ten views of the West Lake paintings” showed and reshaped the west lake landscape and scenery,carrying the heritage and identity of culture of ten views of the West Lake,displaying and showing the political landscape of imperial power. It was closely related with the emperor’s govern. “ Ten views of the West Lake paintings” combined the traditional literati painting and map labeling, providing clear landscape presents, into the imperial taste and political implications. Emperor writing pavilion was placed in the drawing center position, to have more fine description, highlighting the emperor’s authority imprinted,with distinct characteristics of the times and political overtones. Through deduction and interpretation of ten views of the West Lake, it became a “ sacred” show, highlighting the royal politics.