《湖社月刊》析论——论民国时期湖社对传统绘画的坚守与弘扬(之二)

An Analysis of Journal of Hu Hser——On Hu Hser's Contributions to Inheriting and Developing the Traditional Chinese Painting during the Period of the Republic of China

《湖社月刊》是湖社画会的会刊,以留欧画家金城的"提倡风雅,保存国粹;精研古法,博采新知"的理念为宗旨,试图与全盘"西画"的浪潮抗争。它不仅刊登了隋唐以下的中国古代画作和大量的摹古作品,刊登了文博器物、金石、竹刻、碑拓和捍卫中国画的理论文章,还刊登了几十位日本画家的画作,表现了在中国传统绘画理论受到外来文化冲击之时,坚持本土文化,"精研古法",以"借古开今""博采新知"的追求。

With King Kungpah's idea of ' Advocating the classical elegance and preserving the national heritage;intensively studying the traditional and widely absorbing the new' as its tenet,Journal of Hu Hser was the journal of Hu Hser Painting Association,which tried to resist the wave of replacing the Chinese ink painting with the West arts.It published a great amount of ancient Chinese paintings up to the Sui Dynasty,the research theses on them and the paintings by dozens of Japanese artists.Facing the challenge from the West cultures,Journal of Hu Hser insisted the traditional Chinese culture,intensively studied and made full use of the traditional arts and widely absorbed the new.