周作人“人情文学”观的形成及其日本渊源

Historical Analysis on the Formation of ZHOU Zuoren's Human Literary Viewpoint and Its Connection with Japanese Literature

"人情"在周作人文学观念中具有极大的统摄性价值和鲜明的总体论特征,因此,以"人情文学"指称周作人的文学观相对更为合理。具体而言,"人的文学"为"人情文学"观奠定了发展的轨范;"写实"与"移情"是周作人文学观念在写作策略和功用层面的进一步完善,表征着"人情文学"观的明显胎动;对"人情"的置重则将周作人的文学视野聚焦到"文学"本身,意味着其"人情文学"观的最终定型。周作人"人情文学"观的形成过程深受日本文学影响,"日本渊源"是周作人"人情文学"观一块无法抹去的印记。

'Human' in Zhou Zuoren's ideas of literature concept has a great value and distinctive characteristics of general theory.Therefore, it is relatively more reasonable to refer to Zhou's literary views as 'human literature'. To be more specific, the 'human literature' lays the foundation for the development of the concept of 'human literature'. 'Realism' and 'empathy' are the further improvement of Zhou's literary views in writing strategies and pragmatic levels, which shows that the views of 'human literature' are in the embryonic stage. Zhou's emphasis on 'human feeling' makes his literature views focus on 'literature' itself, which means the final deformation of the views of 'human literature'. The formation process of Zhou's views of 'human literature' is deeply influenced by Japanese literature, 'Japanese origin' is a piece of indelible imprint in Zhou's views of 'human literature'.