摘要
张爱玲的遗作《少帅》以民国时代最富传奇色彩的张学良与赵一荻的爱情故事为原型,传述了主人公陈叔覃和周四的爱情故事。张爱玲一反既往的张学良与赵一荻的传奇想象与叙写模式,着重突出了作为大人物在大时代里的"小团圆"情节,形成与张氏沦陷时期文学不同的反传奇叙事法。《少帅》中的爱欲叙事既是张胡恋的"繁华春梦"在张爱玲晚期文学中的再现,也凸显了其以自身经验替补文学想象严重不足的创作困境。《少帅》清晰地显示了张爱玲于1946年之后在文学叙事上的突破努力及无法克服的困境。
Eileen Chang's posthumous " The Young Marshal",narrates the protagonist Chen Shutan and Miss Zhou of love story in the Mingguo era,taking rich legendary character Peter Plat Chang and Zhao Yidi love story as the prototype.Eileen Chang's treats Peter Plat Chang and Zhao-Yidi's legendary imaginative and narrative patterns in a tatallydifferent way from before,highlighting the plot of a mall reunion of the major figure in the great age,and forming an anti-legend narrative method different from those during the fall period. "The Young Marshal" Eros narration is not only the reproduction of love "prosperous dream" between Eileen Chang and Hu-lancheng in Eileen Chang's late literary,but also highlights the dilemma where she succumbs to a serious creative imagination shortage with own experience. "The Young Marshal" clearly shows Eileen Chang efforts to make breakthrough in literature narration after 1946 and the diffiicultires that can not be overcome.
出处
《兰州交通大学学报》
CAS
2016年第5期16-20,共5页
Journal of Lanzhou Jiaotong University
关键词
《少帅》
张爱玲
爱欲叙事
晚期文学
创作困境
The Young Marshal
Eileen Chang
Eros narration
Later period literature
Creation dilemma