摘要
民国时期,郑振铎、胡适、汪协如、杜颖陶、孙楷第、傅惜华、金受申等著名学者对《缀白裘》均有初步研究。尽管所涉及的版本类别和数量尚乏全面,但由于其学术功力深厚,研究或整理水平颇高,为新中国成立之后学者们进行更加全面的调查、研究提供了重要的线索,奠定了良好的基础。不过,仍需特别指出的是:在戏曲史研究中,对民国汪协如校本大量而不加区分的征引却很容易得出错误的论断。校勘精详、密切舞台的新的《缀白裘》整理本急需问世。相关学者只有具备多元、综合的学术视野,才有望使这一领域的研究进一步走向深入。
During the Republic of China era, some famous scholars, including Zheng Zhenduo, Hu Shi, Wang Xieru, Du Yingtao, Sun Kaidi, Fu Xihua, Jin Shoushen, etc., had done some preliminary study of Sewing the White Fur. Although the categories and the number of the version concerned did not reach an overall range, due to their solid academic foundation and high research level, some important clues have been supplied to later scholars after the foundation of new China. However, it should be especially noted that, in the studies on traditional Chinese operas, a good number of undiscriminating quotations are prone to lead to misjudges, and new annotation version of Sewing the White Fur with detailed collation and close connection with the performing on stage is in emergent need. Studies in this field will go further only when scholars possess plural and comprehensive academic perspectives.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2016年第5期29-47,共19页
Drama:The Journal of the Central Academy of Drama
基金
国家教育部人文社会科学研究青年基金项目"南音与昆曲关系研究"(项目编号:12YJC760060)
福建省教育厅A类社会科学研究新世纪重点项目"南音套曲源流考论"(项目编号:JA14231S)的阶段性成果
关键词
《缀白裘》
郑振铎
胡适
杜颖陶
金受申
Sewing the White Fur, Zheng Zhenduo, Hu Shi, Du Yingtao, Jin Shoushen