戏剧人物造型的创新假象

Innovation Illusion in Character Modeling

舞台人物造型无疑是影响一部戏剧演出的重要元素,就与演员的直接相关性而言,它在很多时候甚至比布景空间更加重要,又应该受到作品整体艺术风格—导演的整体创作风格以及舞台设计师的视觉风格—制约。创新的舞台人物造型评价标准应该是戏剧本体,而不仅是艺术技巧的翻新。本文从三个方面对舞台人物造型设计中的创新假象进行分析阐释,包括"创新的真假"、"创新的孤独"以及"摆脱假象的创新"。

Stage character modeling is undoubtedly an important element affecting the performance of a play, with regard to the direct relevance of the actors, it is in many cases even more important than the space setting; On the other hand, it should be restricted by the overall artistic style of the work, which refers to the director＇s overall creative style as well as the stage designer＇s visual style. The innovative stage character modeling evaluation criteria should be theatrical ontology, not only the renovation of artistic skills. This paper analyzes the creative illusion in desiging stage characters from three aspects, including ＂true and false innovation＂, ＂the loneliness of innovation＂ and ＂innovation from false impression＂.