摘要
在现代社会科技的冲击下,神话以及神话思维并未消失,只是以变形的方式存在于人们的精神文化活动中,并试图重新建构当代的精神信仰,通过不同的审美传达令人们接受,进行意识扩张。而今神话主义倾向已经走向其他艺术领域,尤以电影为突出。《黑泽明之梦》以八个独特的梦境情节向我们展示了电影中的神话主义倾向。本文试图重构八个梦境的镜头语言及电影叙事艺术,分析其中蕴含的当代神话逻辑以及美学阐释。
Under the impact of science and technology in the modem society, the myth and the myth of thinking did not disappear, just to deformation existing in people' s spiritual and cultural activities, and try to reconstruct the spirit of the contemporary belief through different aesthetic convey make people accept the expansion of consciousness. Now the tendency of myth has moved to other art fields, especially in the movie. Kurosawa' s Dream shows us the film' s myth tendency by the eight unique dreams. This thesis attempts to connect the eight dreams of the lens language and the film narrative art to analyze the contemporary myth of the logic and aesthetic interpretation.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2016年第11期100-102,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
温州大学校级研究生创新基金项目:镜像切换的价值生成(3162015019)
关键词
黑泽明之梦
电影叙事艺术
当代神话
Hei ' s Dream
narrative art of the film
contemporary myth