摘要
"人文批评"是现代中国文学批评史上与"科学批评"相对应的一种流脉,新人文批评是其在20世纪30年代的具体呈现。梁实秋与苏雪林作为新人文主义批评的重要代表,前者重在理论推介,后者重在批评实践。受梁实秋影响,苏雪林的文学批评有鲜明的新人文主义色彩。她坚持把作家人格与作品价值同等看待,体现出伦理与艺术的双重标准;她认为文学应表现人性,作品才会有永久性;她重视调理性对情感的中和作用,进而强调文学的规则。
Humanistic criticism is a kind of trend as opposed to the Scientific criticism in the history of modern Chinese literature criticism. The new humanistic criticism is the embodiment in the 1930 ' s. Liang shiqiu and Su Xuelin are an important representative of the new humanistic criticism. Liang focuses on the theory,Su focuses on critical practice. Affected by Liang shiqiu,Su Xuelin' s literary criticism has a bright new humanism. She insisted that the writer's personality and work as a peer,value reflect the double standards of ethics and art; She thinks that literature should show the human nature,the work will be permanent; She attaches great importance to the rational neutralization of feelings,and emphasize the rules of literature.
出处
《宜春学院学报》
2016年第10期87-91,共5页
Journal of Yichun University
基金
江西省2014年社科规划项目"从王国维到‘京派’:现代中国文学中的‘人文批评’研究"(项目编号14WX19)
关键词
人文批评
苏雪林
梁实秋
新人文主义
Literary criticism
Su xuelin
Liang shiqiu
New humanism