摘要
口头性是针对作家文学的书面创作而提出的民间文学的基本特征,是理解民间文学艺术特色的一把钥匙。口头性不仅关照到口语作为声音属性的一般特点,决定着说者与听者之间的交流互动,同时还关照到民间文学的文学属性和生活属性,直接影响到民间文学的创作与传播。口头语音稍纵即逝的特点,意味着民间文学是口头表演中的创作;口头语音的内在性使说者与听者处在一个共同组成的声音世界里,形成一种双向互动的交流关系,并促进个人的自我丰富和成长。但对民间文学口头性的研究应结合书面研究范式综合进行,立体地考察生活状态下的民间文学。
Orality is an basic characteristic of folk literature, which is compared with the writer's literature. It is a key to/grasp the characteristics of folk literature. Orality refers not only to the voice properties, which determines the interaction between the speaker and the listener, but also to the literary attribute and life attribute of the folk literature, which directly affect the creation and dissemination. It is the transient of voice that folk literature is the creation in the process of verbal performances. It is the internal characteristics of vocalization that the speaker and the listener constitute a sound world which forming a relationship of mutual communication and promoting the individual self enrichment and self growth. But research on the orality of folk literature should be combined with comprehensive written research paradigm and be studied integratedly the folk literature under the condition of life.
出处
《聊城大学学报(社会科学版)》
2016年第6期13-18,74,共7页
Journal of Liaocheng University:Social Science Edition
关键词
民间文学
口头性
口语的出口即逝
口语的内在性
folk literature
orality
fleeting of vocalization
internal characteristics of vocalization