论崇祯本《金瓶梅》插图的窥探场景

The Illustration of Voyeurism in “Jin Ping Mei”(in the Version of Chong Zhen)

窥探,包含了偷听和窥视等过程,在中国古代小说中窥探情节的出现往往对人物形象的塑造、故事情节的发展起到重要作用。《金瓶梅》设定的偷窥行为有四十余处,而明崇祯年间刊本《新刻绣像批评金瓶梅》中的插图展现窥探主题的也有十五幅之多。本文拟从崇祯本《金瓶梅》插图中的窥探场景入手,探究相关插图的表现形式,分析窥探场景的空间分割特点和插图叙事视角,找出窥探场景插图的创作规律,并且探讨窥探场景的图文关系,包括在情节描绘上和人物形象塑造上插图对文本的选择和补充。

Voyeurism, including eavesdropping and peeping, plays an important role in depicting the characters and promoting the stories. The ‘voyeurism＇ appearedroughly forty times in the fiction, and the illustrations depicting the ‘voyeurism＇ amountsto 15 in ‘Jin Ping Mei＇（the Chong Zhen version）. This article explores the form of pictures, the feature of space division, and the view of scenes according to the‘voyeurism＇ in the illustrations to discuss how the illustrations replenish theoriginal version, such as how to recreate the relationship between illustrations and stories, such as selecting and replenishing stories in depicting plots and shaping characters.