超越魔幻现实主义——莫言笔下的怜悯现实主义

Beyond Hallucinatory Realism——A Study on MO Yan's Sympathetic Realism

莫言获诺贝尔文学奖,瑞典文学院颁奖辞的关键在于"魔幻现实主义"。但是这种解释不足以说明莫言的文学世界,而且"魔幻现实主义"本身有其内在的局限性,所以莫言获诺贝尔奖后的研究应该超越"魔幻现实主义"。莫言作品一直带有对弱势群体的怜悯,这种怜悯造就了莫言作品的独特风格,即怜悯现实主义。最能体现莫言的怜悯现实主义的一点就是他一直在作品中对残缺人物的着力描写,因此通过对莫言小说中残缺人物的研究,可以探索出"怜悯现实主义"诞生的可能性。

The Swedish Academy ascribed MO Yan＇s being awarded the Nobel Prize in Literature to hallucinatory realism in his work. However,this explanation does not fully underpin the literary philosophy of MO Yan,and also hallucinatory realism intrinsically has its limits. Thus,a post- Nobel Prize MO Yan study should aim for transcending the existing notion. MO Yan＇s works continuously contained sympathy for minorities. This sympathy has shaped the writer＇s unique writing style and technique- ＇Sympathetic Realism. ＇ The new concept is best described through the characters with disabilities in his writings. Therefore,the possibility for the creation of sympathetic realism can be searched by analyzing the attributes of the disabled in MO Yan＇s novels.