伪满洲国时期在中朝鲜人散文中的“满洲”形象

“Manchu” Images in Korean Prose in the Manchukuo Period

对于解放前在中朝鲜人文学的研究大多集中于小说和诗歌,而散文研究却没有得到重视。作为文学主要样式之一的散文,虽然也有虚构成分,但是比起小说更能够直观作者的思想意识和对当今社会的认识,而比起诗歌又多了些理性客观的描述。因散文体裁与小说、诗歌的差异,在分析异国形象和作家认识方面更加直观,因此本文的研究对于这一时期文学意识形态整体把握有重要参考价值,同时从"满洲"形象和作家认识来还原历史真实,对于解放前在中朝鲜人文学地位的重新解读也具有一定的意义。通过对1931年至1945年期间居住中国东北或有着"满洲"体验的朝鲜作家所创作的散文进行研究,可以分析出"满洲国"这一特殊环境下的在中朝鲜人散文中的"满洲"形象,探讨作为移民者或体验者的朝鲜作家对"满洲"自然、人情、世态以及都市形象的认识和殖民地近代意识等问题。

Studies did Korean literature before liberation period mainly focused on novels and poems, and prose did not been received enough attention. As an important form of literature, prose can express authors＇ consciousness and thoughts more realistic with objective descriptions. Through the study on the prose written by Korean writers who were in China during 1931 to 1945, ＂Manchu＂ image during ＂Manchukuo＂ period can be shown, what＇s more, ＂nature, customs, situations＂ of ＂Manchu＂ can be revealed through these Korean immigrant writers and settlers.