摘要
传世的金石书画作品,无不凝聚了历代书画家对文化艺术的珍重和多元的情趣与涵养。对照古代中国书画家的能书善画,或诗、书、画"三绝",或书、画、诗、印"四全"的博学多才,当代中国书画家的综合艺术水平、综合文化素养,已显示出明显差距。举凡艺术珍品的问世,一般不会散发出浓郁的"铜臭味",但如今,商业重槌正猛烈地叩击着书画艺术创作的象牙塔之门。书画艺术的繁荣与创新,必须守住"艺术价值决定市场价值"的底线。
All the works of bronze and stone inscription,calligraphy and painting handed down have embodied the cultural and artistic treasures and the diverse tastes of ancient artists.For ancient Chinese artists,they were good at painting and calligraphy,or versatile in poetry,calligraphy and painting,or even all-rounder of the four skills.While the comprehensive artistic level and cultural awareness of contemporary Chinese artists has shown a significant gap.Generally speaking,the creation of all art treasures did not emit a strong smell of money.But now,commercial hammer is violently tapping the ivory tower door of painting and calligraphy.For the prosperity and innovation of painting and calligraphy,we must hold the bottom line that artistic value determines their market.
出处
《学术研究》
CSSCI
北大核心
2016年第11期105-111,共7页
Academic Research