简析刘知白晚年泼墨山水画的主要意象

Introduces Liu Zhibai's splash-ink landscape painting of the main image in the latter years of his life

以传统的笔墨程式来表达山水意象,显然已经不是当下有胆魄、有思想的画家应有的艺术态度和文化担当了,因为中国画在现代文化境遇下一定要寻求自身的突破,无论是观念上还是技法的表现上,特别是面对我国不同境域山水(非传统意义上江南或北方)审美对象时,如何突破原有笔墨语言局限和惯常模式的束缚?如何在新的艺术情境下进行合理的"语言"转换时,有革新的画家更会直面历史与现实,在探索中披荆斩棘、奋然前行。而刘知白先生就是这么一位重要的画家,他晚年的破墨山水画在现当代山水画语言的开拓和图式革新等方面功不可没。而在他晚年的泼墨山水中,除了晴空下正常的山水之外,极具黔地山水特点的雨景、云景、雾景、月景等意象也尤为值得关注,本文正是结合这些意象,进一步探讨刘知白先生泼墨绘画的意象的丰富性和表现力。

With traditional pen and ink to express the landscape image, is clearly not the boldness and thought the painter should bear the attitude to art and culture, because of Chinese painting in the modern cultural situation must seek their breakthrough, on the expression of ideas and techniques, （ especially in the face of the different realm landscape in south or north ） non-traditional sense of aesthetic object, how to break through the constraints of original pen and ink language limitations and usual pattern？How under the new situation to carry on the reasonable transformation, moving.And Li the language with innovative artists will face the history and reality, in the exploration way, involve u Zhibai is such an important painter, his ink landscape painting in the modern and contemporary landscape painting schema language development and innovation, etc.Splash-ink landscape in his later years, besides the sky normal landscape, qian scenery characteristic extremely the rain scene, cloudland, fog scene, month view image is especially notable, it is combined with the image, this paper further discusses Liu Zhibai splash-ink painting imagery of richness and expressive force.