摘要
目的研究"制器尚象"造物思想对当代陶瓷艺术设计的价值和意义。方法分析当今中国陶艺创作的思想与工艺技术的现状与问题,将"象"之要义从象形、象理、象德进行解析,在外形、材质、巧工、情感传递4个方面解读"制器尚象"的美学特征、造物哲理和蕴涵在古人造物过程中的哲匠精神。结论当代陶瓷艺术创作应注重"制器尚象"造物思想的传承创新和工艺技术的精湛用心,以执着追求的匠心精神创造出具有时代审美需求和民族特色的陶艺精品。
It aims to study the value and significance of the "Artifacts made in their inherent appearance" thought on contemporary ceramics design. It analyzes the status quo and problems in thoughts and technologies of ceramics creation in contemporary China, and articulates the classic idea of "Artifacts made in their inherent appearance" in artifacts making by interpreting the inherent appearance, pattern and nature of the object, the aesthetic features and manufacturing philosophy from four aspects of the appearance, material, handicraft and emotional expression, and the philosophy and spirit of craftsman. In this way, it intends to inspire and innovate the theory and styling methods of ceramics, and guide the design practice. In contemporary creation of ceramics, significance shall be attached to the inheritance and innovation of the thought of "Artifacts made in their inherent appearance", as well as the meticulous concentration on the craftsmanship. The spirit of craftsman shall be pursued to create ceramics masterpieces of national characteristics to the aesthetic demands of the times.
出处
《包装工程》
CAS
CSCD
北大核心
2016年第22期1-5,共5页
Packaging Engineering
关键词
“制器尚象”
当代陶艺
创新
匠心
"Artifacts made in their inherent appearance"
contemporary ceramics
innovation
spirit of craftsman