视觉图像中的内外关联——论里尔克的“物诗”

The Relationship Between Inside and Outside in Visual Images:On Rilke's “Thing-poems”

受"观看"理念、象征主义、现代性等因素的影响,奥地利经典诗人里尔克在中期阶段创作了许多"物诗"。表面上看,"物诗"具有强烈的客观性,不着感情地描摹外物,但它实则通过一种特殊的方式,在面对内外分裂的危机之时重构内外关联,在关注、描摹外部的同时重返内心。本文通过考察一些代表作品,着重分析此阶段诗作对内外关系的探索,其中不仅涉及内外之间的张力,而且能观察到二者的互动。内与外的二元对立模式被打破,在想象的无限领域,界限消除,内外融合。

Under the influence of the concept of＂learning to see＂,the symbolism as well as the modernity,Rilke,one of the most important Austrian poets,composed a large number of＂thing-poems＂during his middle phase. It seems that they are strongly objective and focus merely on the outside world without any emotion. Nonetheless,they represent a special way of reconstructing the relationship between the inside and the outside in front of the crisis caused by their split. Through watching and describing the outside world,they could go back to the inner area. By analyzing a few representative poems,this paper examines how Rilke＇s middle phase reflects on the relationship between the inside and the outside. Not only the tension between them is involved,but their interaction could also be observed. The binary opposition is deconstructed. In the wide area of the imagination,the boundary between the inside and the outside is replaced by a tendency of their blending.