媒介的自隐和转逆——以克莱斯特小说《侯爵夫人封·O》为例

On the Trace of the Traceless Media:About Kleist's Novella The Marquise of O...

本文以克莱斯特(Heinrich von Kleist)的小说《侯爵夫人封·O》为例,首先分析了文本内人物间"少即是多"的交际模式:从差强人意的口语到公开可信的书面文字,关掉了声音,屏蔽了身体,却达成了共识。跳出情节,不可靠叙述者的省略不语有效地刺激了文本与接受间的互动张力。媒介从信息源的一部分抽离成独立的他者信使,为更好传递信息而逐渐自隐的词在描述物的同时也定义了物。

The following thesis pays close attention to the various forms of communication of the figures in Kleist＇s novella The Marquise of O...,whose common property can be considered as＂less is more＂： in a changing process from the inadequate colloquial language to reliable printed letters,although the voice is turned off and the body excluded,the communication itself turns out to be successful. The elision of the unreliable narrator stimulates the reception. The medium changes from a part of the information-source to an independent messenger. In order to transfer the information in the best way,the best presence of a messenger is considered to be his absence. While transmiting the information,the messenger also produces his own message. The word not only describes the thing,but also defines it.