摘要
作为"技术"之一的音乐技术,同样分可为生产、社会、精神技术.回望音乐"口头文化时期"及"文本时期",作为音乐生产技术之一的音乐演唱(奏)技术的身体生成,及其与身体关系的发展脉络,可以发现,音乐演唱(奏)技术是身体器官的延展和功能的外化生成.随着信息时代的到来,音乐演唱(奏)技术与身体的关系在音乐教育领域,发生了突破性的变化.结合技术哲学与身体哲学,从"身心合一"主体视角出发,对音乐教育范畴的音乐演唱(奏)"技-身"关系展开探讨;着重审视信息化背景下,音乐生产技术——主要涉及演唱、奏技术,不包括作曲、录音、数码音乐制作技术——作为身体一部分的再生成及其特点.
Music technology,as one kind of technologies,also can be divided into production,society and spirit technology. Retrospecting the "oral culture period"and"text period"of music,the body generation of music singing( play) technology which is one type of music production technology,and its relationship with body development,we can find that music singing( play) technology is the incarnation of the extension and function of body organs. With the coming of information age,music singing( play) technology and the physical relations in music education field,there is breakthrough of change. According to technology philosophy and body philosophy,from the subjective perspective of "the unity of body and mind",the"technology- body"relationship of music singing( play) is discussed in the field of music education; under the background of informationization,the regeneration and its characteristics of music production technology,mainly related to singing and play,not including composition,recording,digital music production technology,as one part of the body are specifically examined.
作者
张业茂
ZHANG Yemao(School of Music, Central China Normal University, Wuhan Hubei 430079, Chin)
出处
《长沙大学学报》
2016年第5期133-137,共5页
Journal of Changsha University
基金
华中师范大学中央高校基本科研业务费项目"身体哲学视域的音乐身体观研究"(批准号:CCNU15A060151)
关键词
信息化
音乐演唱(奏)技术
技术哲学
音乐教育
身体哲学
身心合一
informationization
music singing(play) technology
technology philosophy
music education
body philosophy
unity of body and mind