中世纪多声部音乐的和声形态特征研究

Study on the Harmonic Pattern Features of the Music in Multiple parts in Medieval Ages

欧洲音乐最早的和声实践出现于中世纪多声部音乐中。笔者认为,中世纪多声部音乐可划分为和弦体音乐和复调体音乐两大类型,两者的和声形态主要特征为:二声部音乐多以同度、八度、五度和声音程为其和声纵横向结构的主体;三、四声部音乐以空心三和弦为和声结构框架,以根音关系互为二度和三度的大小三和弦连接为和声流动主体,采用二度和声终止式。中世纪多声部音乐的和声实践,为文艺复兴时期多声部音乐的和声发展奠定了基础。

The earliest harmonizing practice of European music appeared in the music in multiple parts in medieval ages.The author believed that the music in multiple parts in medieval ages could be divided into two kinds of music with chords as the main and music of polyphony as the main.The main features of two harmonic patterns are that most of the two-voice music took the harmonic intervals of unison,octave and fifth as the main body of verticalize-horizontal harmonic structure;for the music of three-voice and four-voice,the framework of harmonic structure are triad without third,the harmonic progression are connection of major and minor triads whose root relationship being the second degree each other,with the cadence of 'progression in seconds'.The harmonic practice of the music in multiple parts in medieval ages laid the foundation for the harmony development of the music in multiple parts in the Renaissance.