摘要
"甘穆哈迪"是普什图人的两种重要仪式,以葬礼和婚礼为典型,分别表达悲伤和欢乐,是其族群认同的文化符号。已婚普什图女性构建的互惠性的婚丧网络,凸显了女性在社会中的地位,是对巴斯将普什图人看作是男子主导型社会的修正。"甘穆哈迪"仪式的传承正在经历现代化和女性伊斯兰复兴的挑战。在全球化进程中,悲欢仪式的研究视角可以运用在大规模人口流动的多个族群中。
Gham-khādi,typically represented as funeral and wedding ceremony rituals among Paskhtun,is a cultural symbol of ethnical identity which expresses people＇s sorrow and joy respectively.The reciprocal net of gham-khādi which is constructed by married Pukhtun woman highlights their social status and amends the misunderstanding of Pashtun society as a male-dominated one by Fredrik Barth.The transmission of gham-khādi is thus experiencing the challenge of modernization and the revival of Islam among female Pashtuns.Research perspectives on ritual of sorrow and joy deserved to be applied for studying more ethnic groups where massive floating of population is existed.
出处
《青海民族大学学报（社会科学版）》
2016年第4期31-38,共8页
Journal of Qinghai Minzu University：Social Sciences
基金
作者主持的陕西高校人文社会科学青年英才支持计划项目
